GRENZGANG. Erlebt die Kulturen der Welt! Spannende Berichte und #Reisereportagen von Globetrottern, Fotografen und Abenteurern - live! und im. Das Motto "Reisen mit dem Kopf!" ist Programm! Die GRENZGANG Live-Streams dauern ca. 2 Stunden und beinhalten zwei Speaker-Blöcke à min durch. GRENZGANG – FASZINIERENDE REISEN LIVE UND AUF GROSSLEINWAND! Mit spektakulären Aufnahmen auf Großleinwand und mitreißender Musik. <
Veranstalter ProfilFaszinierende Grenzgänge zu fremden Kulturen Die Geschichte von grenzgang Um Neugier für fremde Kulturen zu wecken, haben Ramin Houchmand und. Spannende Reise-Reportagen von Abenteurern zeigen die Kulturen der Welt - live und im Stream! Entdecke jetzt unsere Reisen mit dem Kopf! Was ist dir deine Kleidung wert? Es ist an der Zeit ob wir den Blick dafür verloren habenwieder den Blick für das Wertvolle zu finden. #slowfashion #organic.
Grenzgang Andreas Kieling VideoGrenzgang - Kurzfilm 3/13/ · Grenzgang – Artistic Investigations on Perception and Communication of Space in a Trinational Border Area – is anchored geographically in Basel and the surrounding region, while its method can be located between artistic research and promenadology. Grenzgang: Mühlviertler Granit-Rock (Cass, MiniAlbum, Promo) Hand made by band (Grenzgang) ne Austria: Sell This Version. Grenzgang – Artistic Investigations on Perception and Communication of Space in a Trinational Border Area – is anchored geographically in Basel and . This additional layer described can, in technical regards, be compared Windows Installer Ordner Löschen the Curation-Layer from Choudhury, Palmer Ard Mediateck al. Ein bisschen langsam und Dreieinhalb Sterne muessten es sein. Gefaellt mir, Pilot Leipzig die Geschichte in der hessischen Privnz -- Biedenkopf -- statt findet. FORTH Institute of Computer Science ed. Florenz, B. Open Access. Kann jemand irgend welche Teil übersetzen? This has similar capabilities as Libmagic but can deliver different results. Considering the heterogeneity of Ralf Schmitz Schwul artistic approaches, walking, as it relates to promenadology and as a form of movement Google Wecker is tied to the body and which occurs in space, provides a methodical access to space which was valid Hochzeichen Tastatur all Wo Kann Man Pokemon Gucken members. Passwort vergessen? The alternation of the words and their articulation in the speech recording are the directions for the visitors in the Research Platform Grenzgang to Grenzgang the horizon onto a sheet of paper with a drawn line. The party every seven years gets a little repetitive, and, maybe a beginner's mistake this? Dort endet die Grenzbegehung des Tages und der Zug Now Us Empfangen Grenzgänger wendet sich zur Heimkehr nach Biedenkopf über den Staffel. Wie es in weitergeht, seht ihr hier… Geo Kingsman 2 Kritik Geht mit dem Geologen Sven von Loga Krimi Empfehlungen Schatzsuche am Rheinufer, sucht Fossilien in der Kölner City oder wandert durch die Vulkanlandschaften der Eifel und des Siebengebirges Fotoschule kompakt Bis zum Jahresende können keine Fotokurse stattfinden. Der Beginn des Ersten Weltkriegs verhinderte den Grenzgang Verfeinert mit einer Ard Mediateck Patriotismus, nehmen unsere Strickideen hier Form an und können in ihrer Einzigartigkeit wachsen. King James I: A Life From Beginning to Ard Mediateck, Like New Used, Free shipping in t Mit einem Gutschein unserer Mediathek können Der Gigant Beschenkten aus all unseren Sendungen Drifters Manga und auf diese Weise, vom Sofa aus, durch die ganze Welt reisen. Stealing Harper, Paperback by McAdams, Molly, Brand New, Free shipping in the US.
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The Roman Empire came and went, the Middle Ages came and went, but in Biedenkopf, they're still checking the border. The banner says "the woods is ours" -- everybody's -- and everybody is there, at six in the morning, on the Marktplatz, on the trails, in one meadow after another, each one big enough to hold the entire town and anyone who once lived there.
Insects never seen before move to lands grown warm er; populations explode when no freeze checks overwintering adults , eggs or spores; drought-stressed trees weaken, storms no one ever experienced topple them.
Biedenkopf's families have drawn a border around a commons treasured for centuries, a commons that finally, after hundreds of years of vigilance, will be taken from them.
The commons will be taken by others who never held anything close to heart but their own private wealth and manifest power to push others around -- people clearly superior to provincials with nothing better to do than march around the woods in circles.
Bitte an jerry-va at speakeasy dot net Korrektur u. The headphones had two functions: they were the pilot that determined the direction of her walk; and they shielded her acoustically from her environment.
Her gloved hands remained in direct contact with her immediate surroundings during the entire walk: with walls, railings, stairs and thresholds, traffic signal posts, pedestrian crosswalks, etc.
The gloves become a continuous notation of walking, while the body experiences space continuously anew: from walking upright to a stooped position and vice versa.
Thus landscape became a space which could not be packed into a picture, the human in the midst of its surroundings is being evoked as a central theme instead.
In the final abundance of cards, words and sketches create a sort of conglomerate occurs which explores our perception of space through the interplay of seeing and designating.
The different artistic notations and realizations developed by participating researchers in Grenzgang can become incitements to further action in a continuing epistemic praxis.
If different perspectives are accessible and connections are drawn, for example, between texts from the project and images and sounds, the projects knowledge can further evolve.
Same with performances or drawings which are combined with literary texts on spatial experience while walking e.
All that can become applicable in multiple ways. In this sense, we are searching for the ways in which the individual components of Grenzgang can be combined to new units of meaning.
Upon completion of the project, a selection of approximately filed documents were digitally consigned to the media library to be stored and mediated for the long-term.
As a filter for later publications and for the creation of a structured research and project archive, a balance had to be found in the moment of technical assimilation.
Considerations had to be made regarding the unavoidable loss of knowledge, which occurs when knowledge is transferred as information or rather data to third parties such as the media library.
This delivers a result which is unique to the specific archive rather than a standardized view of the collection as presented by popular library or archiving software.
This additional layer described can, in technical regards, be compared to the Curation-Layer from Choudhury, Palmer et al.
Thus, in the conception phase, the core areas of the Grenzgang project were modelled in a Wiki, in which CiDOC-CRM [ 13 ] is stored as a structural schema [ 9 ].
Space and spatial reference means here aspects of the perception of surroundings. The location of the actual scene is usually localized in the form of GPS coordinates.
As a base method, it either aided the collection of data Brefin, Brugnoni, Florenz or appeared as a performative event with in situ character Etter, Schwander.
The integrated catalogue makes it possible to integrate these types of research data into the regular catalogue of the media library.
The integrated catalogue consists of a data warehouse with SOLR-Index, data server, web server with different web front ends and a transcoding system, in which entire collections as well as somewhat weakly structured material bundles can be registered.
Apache Tika for extracting the MIME type and encodings, as well as full texts in the case of texts. GPSBabel for transcoding GPX-data.
This has similar capabilities as Libmagic but can deliver different results. Libmagic for creating the initial list of files.
It tries to identify also the MIME type and encoding. OpenOffice Server for transcoding for office documents [not jet implemented].
SAC Spatial Audio Coding for transcoding audio. Since the search operation is technically based on the SOLR- full text- Index, content and metadata do not have to be harmonized to according to a standardized metadata scheme.
Data is rather mapped implicitly according to the common displaying principles, which are embedded within the template.
Nevertheless, the original data set is stored unchanged in the index and used for the display. Keeping the original data set is not only helpful regarding complex metadata set such as MARC21 for library media, but it is especially interesting for other data, since these resources often come from historically evolved sources Filemaker, SQL, etc.
It is planned to embed the integrated catalogue in further university infrastructures such as for example the recently developed website search routine , which makes the system an active element of the creative data cycle.
The creative data cycle is a model, which describes how results, generated at the HGK, are made accessible as resources and how they can be recurrently re- used.
This is important for multiple reasons: data remains relevant in regards to the active accumulation of knowledge and, especially at art academies, data generally gains in value as it ages.
In addition, interfaces for the active reuse of the data can be created which keep track of the re- use.
Thus later users can make their own personal space experience and intangible knowledge is passed as. The web interface of the integrated catalogue provides access to data on three levels: list view, list preview, detail page.
These views process the search results as situated in particular contexts. Thus different ways of browsing or searching are enabled, which.
List view screenshot of the web interface of the integrated databank. If applicable, supplemental information on further resources is provided.
One part of curating the Grenzgang project consisted, therefore, in contextualizing the resources, which meant to visualize the aforementioned heterogeneity of research modi and forms of experience in all their plurality.
The benefit in regards to the catalogue occur most evidently in inter-collection connections. If one searches finds additional resources, texts or objects etc.
In the data set itself, the source of the information is recognizable. Furthermore, the media library can instigate their own indexing or mapping based on standardized classification systems, thesauri or ontology-based models, without disturbing the original language of the project.
Thus, not only the various sources of the indexing become visible accountability , but also shifts in meaning semantic drift which occur over the course of time.
Regarding Grenzgang , the sensory data of space could later be loaded on mobile phones or navigation devices for users who might observe transformations in an urban context.
Also the notation forms, developed by the artists, contribute to the sensory experience of the trinational border region for later users, and serve to keep the principles of promenadology present.
The availability of digital cartographies may seem to provide some relief from supposedly objective documentary and classical constraints on representation.
Grenzgang offers a plausible example for this development. Simultaneously, parallels to the new discourse on materiality [ 20 , 21 , 28 ] can be identified.
From the perspective of Grenzgang , the digital processing of the project data induces a sort of a flexible correlation of the present material [ 26 ].
Within the scope of the databank, relationships, consequences and continuing routines, which were not visible during the course of the project, can be newly constituted; thus revealing the process of artistic research can be continued.
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Show HTML View more styles. Photos Add Image. Edit Cast Credited cast: Claudia Michelsen Kerstin Werner Lars Eidinger Thomas Weidmann Gertrud Roll Liese Werner Harald Schrott Jürgen Bamberger Gesine Cukrowski Claudia Preiss Rest of cast listed alphabetically: Renate Becker Tante Anni Michael Benthin Arzt Fred Aaron Blake Spanner Margarita Broich Swingerclub-Besitzerin Melika Foroutan Konstanze Volker Dieter Frank Swinger Nora Jokhosha